SCHOLARLY PUBLICATIONS
– 3 Improvisations. (Keynote address for the annual meeting of the Canadian University Music Society (CUMS), Regina, June 4, 2010.) In Intersections, Intersections: Canadian Journal of Music, forthcoming.
– “Conductus 1, une partition en mouvement.” In Michel Duchesneau and Sophie Stevence (éd.), Composer au XXIe siècle. Pratiques, philosophies, langages et analyses, Paris, Vrin (Collection “MusicologieS”), 2010, pp. 79-88.
– “Music Under the influence: On la nécessité extérieure in the Music of John Rea”, in Eleanor Stubley (ed.), Compositional Crossroads: Music, McGill, Montreal, McGill-Queen’s University Press, 2008, pp. 264-300.
CONFERENCE PAPERS
– Conductus 3: du laboratoire à la scène. Paper presented during the Journée d’étude en improvisation colloqium, University of Montreal, October 6, 2011.
– 3 Improvisations. Keynote address for the annual meeting of the Canadian University Music Society (CUMS), Regina, June 4, 2010.
– On the use of Technology in my musical composition: Plugged 1.5, A Song of Exile, for Amplified Solo Voice. Paper presented at Dalhousie University, November 17, 2005, as part of a Crosscurrents Panel.
– L’improvisation en musique contemporaine : aux frontières de l’oral et de l’écrit. Paper presented at the University of Toronto, May 26, 2002, as part of the annual meeting of the Canadian University Music Society (CUMS), and at the Chapelle historique du Bon Pasteur, Montreal, March 12, 2003, as part of the Présence de la musique series of the Société québécoise de recherche en musique.
– Improvisation comme préalable à la composition : chronique d’une collaboration entre un compositeur et un interprète. Paper presented at Bishop’s University in Lennoxville on February 15, 2001 as part of the symposium The Harpsichord Then and Now.
WORK IN PROGRESS